On the morning of May 9, 2015, a grand opening ceremony was held for the fake seat of the "Junior High School Ceramic Art Museum" in the prosperous center of Beijing's Pingan Avenue. Nearly a hundred scholars, experts and artists from the Chinese Ceramic Association, Peking University, Tsinghua University, Palace Museum, National Museum, Chinese Academy of Art, National Academy of Painting, Central Academy of Fine Arts, China Academy of Art and ceramics attended the opening ceremony.

"National Ceramic Art Museum" is a high-quality ceramic art museum funded by Sino-Ocean Cultural Investment Company under Beijing Sino-Ocean Group. Chairman Zheng Zhi introduced that the Art Museum will strive to create a public platform integrating art exhibitions, academic exchanges and theoretical construction through a series of ceramic art exhibitions and related academic activities. And strive to build it into a first-class domestic and internationally focused art hall that emphasizes both tradition and innovation, academic and artistic interaction, so as to promote the prosperity and development of contemporary ceramic art.

As the inauguration exhibition of the "Middle School Ceramic Art Museum", "Ink Language and Porcelain Words-Zeng's Ceramic Art Exhibition" invited dozens of masterpieces from Jingdezhen's ceramic family from the three generations of Zeng's ceramic art to participate in the exhibition. The overall style of the works is uniform and colorful. Gorgeous, each with individuality, vividly interprets the aesthetic characteristics of contemporary ceramics "traditional school".

The highlight of the opening ceremony of the Museum of Art was a theoretical seminar titled "Under the Global Ceramic Context: Family Ceramic Art Education and College Education Thinking", which opened the prelude to the "Chinese Ceramic Art Forum".

Liu Chuanming, the academic host of the forum, first put forward the theoretical concept of "ceramics" at the meeting. Emphasizes, "Opening up through the past and present, caring for China and the West, making the smallest possible, far-reaching, is our direction; advocating science and technology, not underestimating the present and loving the ancients, and adopting tradition and pushing innovation is our philosophy; seeking poetry, fine creation, Paying equal attention to Taoism and instrument is our academic indicator. It is our eternal pursuit to build the art museum into a disciplinary palace and an aesthetic garden instead of a stage for'pseudo masters' and a vanity fair for vulgar business.

Sun Ji, chief expert of the National Museum, Zhang Shouzhi, professor of Tsinghua University, Cao Jinglou, a researcher of the Palace Museum, Zhu Yeqing, a professor of the China Academy of Art, He Bingqin, a professor of Jingdezhen Ceramic Institute, and others explained the respective characteristics and mutual relationships of ceramic art and modern art education. I have learned my academic views.