Apart from the different series in which I structure my work, there are 
principally two big and evident divisions. On the one hand there are the 
pieces where I work with vegetable elements (gardens, scales …) and for 
other one what we might be call architectures (interior spaces, cities …) 
In all of them there is a clear inclination towards the geometric forms 
where across mathematical and rational concepts I submit them to criteria 
of order, pace and sequence. 
In turn the use of the white color is vital in my work as synthesis of all the 
colors and symbol of the absolute thing. The white bodies give us the idea 
of purity and modesty, believe a luminous impression of empty, positive 
infinite. 
In the series "Mirages" I play with the juxtaposition of thin slabs of 
porcelain where the movement of the same ones, together with the effect 
that the lights and the shades produce, they are vital to create this 
mysterious atmosphere that precedes a mirage. I usually work with 
graphical designs that are interesting or attractive for their pace, 
symmetry, geometry … and that are in our daily landscape.
                    
                        
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Myriam Jiménez Huertas, Madrid 1973.  
She began her artistic training in 1994 in Madrid at the Francisco Alcántara School of 
Art. In 1999 she moved to Valencia to attend Enric Mestre’s ceramic sculpture 
monograph. Since then she works in her own workshop in Torrent. Since 2019 belongs 
to the International Academy of Ceramic (AIC-IAC). 
Among the prizes she has won are the President Prize of the Valencian Government at 
the VII International Biennale of Ceramics of Manises. Valencia. Pujol i Bausis Prize at 
the 14th Bienal de Cerámica d’Esplugues Angelina Alós. Barcelana. Prize l’Alcora in the 
27th International Ceramic Competition of Alcora. Castellón. President Prize of the 
Valencian Government. VIII International Biennial of Ceramics of Manises. Valencia. 
She has participated in numerous exhibitions both nationally and internationally. Some 
of the most important are Pentik Museum. Posio. Finland (2001), Taso-Tuen Exhibition 
Center in Caotun, Taiwan, Kaoshiung Municipal Museum of Fine Arts, Taiwan (2005 ), 
KUNST.WERKSTATT der Gmundener Keramik. Austria (2006), Freihof Sulz Gallery. 
Vorarlberg. Austria, Keramikmuseum Westerwald, Höhr-Grenzhausen. Germany 
(2007), International Biennial of Contemporary Ceramics of Vallauris. France, Gallery 
Hélène Porée. Paris. France, Onomachi Shopping Centre. Wakayama. Japan, Galerie im 
Kulturzentrum Kapfenberg. Austria. Palau de la Música. Valencia (2008), Museé du 
Prieuré. Charolles. France (2009), Espacio Vital Ademuz Espai d’Art. Corte Inglés 
Ademuz. Valencia, Tiempo de Flores Festival Miradas de Mujer. Coll Blanc Gallery. 
Culla (2014), [EssencialË Universidad Jaume I de Castellón, a School of Ceramists, Casa 
del Cable, Jávea, and Mision Ceramistas, Galeria Hachi. Wakayama. Japan, 5 Years 
Ceramic Symposium Memory. Maison des Arts du Belvédère. Tunisia (2015), Freiderike 
Zeit Galerie. Deidesheim. Germany, SEMILLAS Coll Blanc Espai d’art. Culla. Castellón, 
FUERA DE SERIE. Museo Nacional de Cerámica González Martí. Valencia, Ceramics 
Applied to Architecture. Museu del Disseny de Barcelona (2016)…